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・ Orange County Writing Contest
・ Orange County Zoo
・ Orange County's Credit Union
・ Orange County, California
・ Orange County, California, in popular culture
・ Orange County, Florida
・ Orange County, Florida paleontological sites
・ Orange County, Indiana
・ Orange County, New York
・ Orange County, North Carolina
・ Orange County, Texas
・ Orange County, Vermont
・ Orange County, Virginia
・ Orange Court Hotel
・ Orange Cove, California
Orange Crate Art
・ Orange Creek
・ Orange Cross Social Club Shooting
・ Orange Crush (disambiguation)
・ Orange Crush (novel)
・ Orange Crush (song)
・ Orange Crush Defense
・ Orange Crush interchange
・ Orange cup coral
・ Orange Curtain
・ Orange Curves
・ Orange cuttlefish
・ Orange Days
・ Orange Democratic Movement
・ Orange drink


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Orange Crate Art : ウィキペディア英語版
Orange Crate Art

''Orange Crate Art'' is a 1995 album by Brian Wilson and Van Dyke Parks released on Warner Bros. Records, where Parks has been contracted since 1967. The album's title refers to the sun-drenched, idealized paintings that grace wooden fruit crates, and its theme is a nostalgic view of the history of California.
==Background==
Within the thirty years after their collaboration on the ill-fated Beach Boys' ''Smile'' project, Wilson and Parks had both developed their own solo careers.
Sometime in 1992, Parks approached a then-reclusive Wilson with the invitation to record an album together. Wilson was in the middle of a court-ordered removal and restraining order from his psychiatrist, which came as a result of years of over-medication and gross misconduct. According to Parks, "The reason why I asked him was to take care of this unfinished business, and to try to escape from the tyranny of the sense of history that's been placed on our own aborted effort. ()" Later adding, "When I found him, he was alone in a room staring at a television. It was off."〔〔
It is reported that Wilson interrupted the first vocal session for the album by asking Parks, "Wait a minute. What am I even doing here?" Parks hit the talk button and responded, "You’re here because I can’t stand the sound of my own voice!" Wilson paused, nodded his head, and stepped up to the microphone proclaiming, "Well that makes sense! okay, take one!"
Though billed and anticipated as a full collaboration, the album is devoted to Parks' compositions, and features his typical dense wordplay and orchestrations. Wilson for his part contributes only the vocals and vocal arrangements. Parks also reported that despite his invitation, Wilson had declined to contribute any music to the project. Despite this, he was impassioned to record the album for Parks, determined to make something that he "could live with" ten years from then.〔http://www.rocksbackpages.com/Library/Article/audio-van-dyke-parks-part-3-1993 Barney Hoskyns, ''Rock's Backpages Audio'', 16 June 1993〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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